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21:28:14 CET

Time waits for no one

▒ Prolog

▒ Zeichnungen

▒ Adam 1,2

Apollo und Diana; die Figur des Apollo ist eine der ersten proportionalen Studien Dürers zum männlichen Körper. Die Proportionen dieser Figur sind gestreckter als die der etwas früheren Zeichnung einer weiblichen Figur und entsprechen eher den klassischen Idealen. Es ist vermutet worden, dass Dürer seine Figur von Zeichnungen oder Drucken der berühmten antiken Skulptur "Apollo Belvedere" abgeleitet hat, die Ende des 15. Jahrhunderts in Rom entdeckt wurde. Die Proportionen und die Pose dieser "Apollo"-Zeichnung verwendete er später für seinen Adam im Stich von 1504. ↗britishmuseum.org

Auch die zweite Zeichnung ist eine von mehreren erhaltenen Studienseiten, die Dürer für seinen 1504 entstandenen Kupferstich von Adam und Eva anfertigte. Er experimentierte hier mit verschiedenen Positionen für die Arme und Hände Adams, die spiegelbildlich zum Kupferstich gezeichnet sind und von denen einige den von Eva angebotenen Apfel halten. Die tatsächliche Position von Adams linker Hand, die im Stich verwendet wurde, ist die Studie in der Mitte, und für seinen rechten Arm die Studie in der linken oberen Ecke, der hier einen Stock hält, im Gegensatz zum Ast im Stich. ↗ britishmuseum.org

Dürer's Adam and Eve

Albrecht Dürer's engraving 'Adam and Eve' is one of the artist's best-known and most famous works. The period leading up to the completion of the work was marked by numerous sketches, some of which were inspired by antiquity. This website looks at the various preparatory sketches and then focuses on the engraving itself. The final section of the exhibition looks at the development of the Adam and Eve motif in the form of an oversized oil painting.

↗ View Site

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